Directed by Davis Guggenheim, 2008
The Edge represents something especially modern in rock-and-roll: the idea of the guitarist as pure technician. A great riff for him isn't so much a combination of notes as a combination of noises -- harmonics, distortion, wah-wah modulation, an echoed din chiming out into infinity like church bells in the Grand Canyon. The guitar itself is just an input device; the pealing tones and rhythms are created elsewhere.
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Directed by Patrick Allessandrin, 2009
When
D13: Ultimatum is firing on all cylinders, it's a bad-ass action movie. When it functions as a delivery mechanism for a social message, it's corny as all hell, but still pleasant enough.
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Directed by Andrea Arnold, 2009
Katie Jarvis gives an easy, naturalistic performance that's pure teenage girl, whether she's bloodying the collective nose of her peer group or (symbol alert) pounding the hell out of a padlock that keeps a friendly gray horse chained up on one of the neighborhood's desolate, nearly empty lots that smells of young men and menace.
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