In his cultural history of the horror genre,
The Monster Show
, writer David J. Skal compares Francis Bacon's famous 1944 triptych
Three Studies for Figures at the Base of a Crucifixion to equally disturbing special effects work in
John Carpenter's The Thing. The surrealistic imagery conjured by Rob Bottin to depict the
transformation of a human being into a shape-changing thing from
another world is nearly unimaginable, and Bacon is one of its few
precedents. It must be seen to be believed, and it represents a kind of
high-water mark for fevered creativity in the horror film.
[Ed. note, 2008: This review references a DVD edition of the film that hasn't been available for years. Current editions represent a significant improvement in picture quality.]