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Fantasia

Directed by Various Artists, 1940
Disney's nudes in <em>Fantasia</em>

More than 20 years ago, I sat in Stan Brakhage's office at the University of Colorado, handling original frames of 65mm IMAX film stock that the avant-garde filmmaker had hand-painted with swirling layers of colour. He explained that IMAX had commissioned him to create an abstract film specifically for presentation on the huge screens of their theatres. It was a great idea, and I wondered when the film had screened. Never, Brakhage told me. The IMAX people eventually lost interest in the idea, and "Night Music" was shown instead in 16mm prints, drastically reduced from the large-gauge film stock. Although IMAX were bold enough to approach Brakhage in the first place, the company got cold feet when it came time to actually exhibit non-narrative cinema—even for only 30 seconds!—for a paying audience.

Full review at FilmFreakCentral.net[read more]
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After.Life

Directed by Agnieszka Wojtowicz-Vosloo , 2009
Perhaps funded and distributed on the promise of Christina Ricci in her skivvies and less, After.Life is weirdly compelling for such a marginal movie. Its premise is a little coy, toying with the expectations of audiences that have had their fill, lately, of stories with characters caught in some strange limbo between living and dying where they work out the psychological issues that hectored them in the real world. … [read more]
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Django

Directed by Sergio Corbucci, 1966
Franco Nero in <em>Django</em>

When Django, the title character and hero of director Sergio Corbucci's seminal spaghetti western, first appears on screen, he's slogging on foot through mud, dragging a coffin behind him. The image is evocative and challenging. In classic American films, western heroes had generally been dignified cowboy types saddled up on strong horses. They were lawmen or simple ranchers with a code of honor. They rode into town in a cloud of dust and plainspoken righteousness backed up by a sharp eye and a six-shooter, and they stood for the endurance of traditional values on a wild frontier.

Django thinks those guys were pussies.

Read the full review at FilmFreakCentral.[read more]
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The White Ribbon

Directed by Michael Haneke, 2009
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The Deadly Duo

Directed by Chang Cheh, 1971
<i>The Deadly Duo</i> This 1971 Shaw Brothers martial-arts flick is definitely full of action — energetic camerawork, gallons of stage blood, and a widescreen frame full of gracefully choreographed movement on the part of dozens of performers wielding an impressive variety of weapons all contribute to the film's sense of urgent forward motion. … [read more]
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Clash of the Titans

Directed by Desmond Davies, 1981
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Broken Embraces

Directed by Pedro Almodòvar, 2009
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It Might Get Loud

Directed by Davis Guggenheim, 2008
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Moon

Directed by Duncan Jones, 2009
Paying homage to the science-fiction films of his youth, where space-base bulkheads and otherworldly landscapes were more likely to be styrofoam than CG, story writer and director Duncan Jones's debut feature, Moon, is a surprisingly effective--even moving--story of isolation and alienation on the lunar surface. It's one of those science-fiction movies made on a spartan budget that gives it a special kind of low-key tension. The closest forebear I can think of offhand is Shane Carruth's time-travel drama Primer, which had a bargain-basement aesthetic that only amplified the general air of desperation and dehumanization. Moon, with its carefully-designed sets and frugally-executed visual-effects work, is a much more expensive proposition than Primer, but still dirt-cheap by multiplex standards. Moon may not be the best science-fiction film of 2009, yet it feels the most personal, its loving, handmade quality smoothing rough patches in the storytelling and landing the film's essential emotional blow. Read the rest of this review at FilmFreakCentral.net
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Jennifer's Body

Directed by Karyn Kusama, 2009

Evil-but-gullible emo band's attempted "virgin sacrifice" turns promiscuous teenager into demon-possessed cannibal. It's up to her nerdy best friend to keep the sexiest high-schooler in Devil's Kettle from eating her way through senior class.

That's a fairly straightforward synopsis of Jennifer's Body, screenwriter Diablo Cody's much-hyped follow-up to Juno, directed by Karyn Kusama and just out on DVD and Blu-ray Disc. It sounds like a terrific idea for a comic horror movie, turning adolescent sexual insecurity into the stuff of nightmares, and it is pretty smart conceptually. Cast as the titular Jennifer, a sarcastic, wisecracking bombshell of a flag girl, Megan Fox acquits herself beyond the Maxim-girl status bestowed on her by the Transformers movies, turning in a fairly competent performance that progresses credibly from her character's more human presence in the film's opening scenes to the colder succubus she becomes. And Amanda Seyfried, all gasps and big eyes, makes a terrific mostly passive protagonist for the yarn, taking Jennifer's transformation in from a not-so-safe distance. … [read more]

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Paranormal Activity

Directed by Oren Peli, 2007
Katie Featherston and Micah Sloat in <em>Paranormal Activity</em>

It doesn't do much, but what it does? Does it well. Made on a minimal budget, with a single high-definition video camera, a handful of actors, and some very careful sound design (by ace mixer Mark Binder, brought onto the project by Paramount after subsidiary DreamWorks picked it up for release), Paranormal Activity purports to document a few weeks in the nighttime life of Katie Featherston, a young woman whose world is being haunted by a demon. Shot entirely vérité style, either on a tripod or handheld by Katie's boyfriend, Micah, the movie shows the couple coping with weird noises in their house, consulting a psychic, considering the pros and cons of ouija boards, etc., as the frequency and intensity of sleep-disrupting otherwordly activity increases.

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A Perfect Getaway

Directed by David Twohy, 2009
Steve Zahn, Chris Hemsworth, and Marley Shelton in <em>A Perfect Getaway</em>

More of an exercise in narrative gamesmanship than an actual thriller, A Perfect Getaway pretty much douses its first half's methodical build-up of suspense with its second half's bucket of contrivance. That's not to say it isn't a lot of fun -- it is, with a sly sense of humor and sharp dialogue that makes clever, reflexive reference to the characters' presence in a comic whodunit. ("He's really hard to kill," declares one, doting lovingly on her boyfriend, who may or may not be half of a couples serial-killing team.)

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On Blu-ray: Up and Monsters, Inc.

Directed by Pete Docter,
Up and Monsters, Inc. on Blu-ray The new Blu-ray Disc (BD) version of Up — released on the same day as the BD of director Pete Docter's debut effort, Monsters, Inc. — is a revelation in at least one regard: it demonstrates that 2D is better. … [read more]
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Repulsion

Directed by Roman Polanski, 1965
Repulsion Not sure why it took me so long to get around to this, given my long-standing admiration for Polanski's wonderfully lurid Rosemary's Baby. Based on Repulsion's reputation as a dark psychological thriller, I wasn't expecting it to work so efficiently as a straight-up horror movie — perhaps that classification is another case of conventional wisdom classing up an especially well-respected film by lifting it out of the genre ghetto. … [read more]
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Trick 'R Treat

Directed by Michael Dougherty, 2007
Trick 'R Treat Over the course of the two years that it sat on the shelf following a planned-but-aborted fall 2007 theatrical release, the Halloween-themed anthology film Trick 'R Treat was embraced by genre fans who caught it at festivals and other special screenings starting that December. I think I can see what captured their sick little hearts — in an era when the state-of-the-art in popular horror films is split between the practiced cruelty and borderline hostility of neo-gore exercises like the Saw and Hostel franchises and the incidental soullessness of Friday the 13th and Last House on the Left remakes, this film, in its straightforward, low-concept fright-mongering, feels downright fresh. In fact, except for a couple of gratuitous tit shots, Trick 'R Treat is earnest, uncynical, and nearly wholesome. What it's not — and it pains me to say this — is very much good. … [read more]
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Stop Making Sense

Directed by Jonathan Demme, 1984
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Hardware

Directed by Richard Stanley, 1990
Hardware They say all you need to make a movie is a girl and a gun. But if you've got a girl and a killer robot, then you're really onto something. One of the joys of low-budget horror movies is that the stakes are low enough that filmmakers can get away with a lot of crazy shit, and there's crazy shit aplenty in Hardware, the post-apocalyptic SF/horror feature debut of South African director Richard Stanley. The film takes its visual and thematic cues from Alien and Blade Runner, with a few ideas from The Terminator and Demon Seed thrown into the mix. But when you boil it down, Hardware is just a gritty, crudely fashioned cyberpunk monster movie. If that sounds like your idea of a good time, boy do you need to see this. … [read more]
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Obsessed

Directed by Steve Shill, 2009
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Play Time

Directed by Jacques Tati, 1967
Play Time I'm a little late to the Play Time party, having sampled and abandoned Jacques Tati on Criterion laserdisc way back when, finding his work to require, I guess, more patience than I had back in my college years. But Play Time is new on Blu-ray, transferred from a recent HD remaster of Tati's 70mm comedy of modern manners that has it looking better than it ever will outside of a movie theater, and it's clearly a singular achievement. In an essay accompanying the disc, Jonathan Rosenbaum outright disses the whole idea of watching Play Time on TV, arguing that because public space is the film's very subject, it's also the most appropriate setting for its exhibition. (The film was probably never going to be a tremendous popular success, but Tati limited its commercial prospects by insisting that its initial engagements in France take place only in 70mm.) I missed that boat — there was a restored 70mm print playing in New York a few years back — but this Blu-ray Disc and a decent screen will at least allow a viewer to imagine what it must look like on a proper screen, and in that it's highly recommended. … [read more]
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John Carpenter's Starman

Directed by John Carpenter, 1984
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Eliza Dushku in <em>Dollhouse</em> So you think you might be interested in Dollhouse, the Joss Whedon-created series about human drones programmed with disposable serial personalities by a shady underground organization dedicated to fulfilling the most precious needs and desires of the very rich. The first thing you need to know is that it's gonna take a while. … [read more]
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Jonas Brothers: The 3D Concert Experience

Directed by James Hendricks, 2009
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The Deep

Directed by Peter Yates, 1977
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Passengers

Directed by Rodrigo Garcia, 2008
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True Blood: The Complete First Season

Directed by Alan Ball, et al, 2008
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I've Loved You So Long

Directed by Philippe Claudel, 2008
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Blue Streak

Directed by Les Mayfield, 1999
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Opium and the Kung Fu Master

Directed by Tang Chia, 1984

<span class="title">Opium and the Kung Fu Master</span>Released in 1984, this widescreen actionfest/drug-addiction drama was the final film of only three directed by longtime action choreographer Tang Chia — and one of the last films ever released by the legendary Shaw Brothers movie studio, which in its heyday made dozens of movies every year but by this time was struggling to keep up with the popular trends ushered in by Bruce Lee and expanded upon by Jackie Chan and friends.

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Star Wars: The Clone Wars

Directed by Dave Filoni, 2008
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Step Brothers

Directed by Adam McKay, 2008
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Postal

Directed by Uwe Boll, 2008
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Standard Operating Procedure

Directed by Errol Morris, 2008
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Story of O

Directed by Just Jaeckin, 1975
1024_story-of-o.jpgI wanted to look at the new Blu-ray Disc release of Story of O (out this week from the Canadian company Somerville House) for two reasons. First, I'm interested in what happens to obscure and cult films as they make their way to the new high-definition formats, and this French sexploitation drama from the mid-1970s certainly qualifies. Second, I know that while Story of O has some kind of literary pedigree (a sort of de Sade pastiche written under the pen name Pauline Réage, the novel broke significant ground for erotic fiction as well as bondage fetishists), the film version in particular has long been a pervy grail of softcore cinema -- knowledgable viewers of a certain sexual inclination find this mix of epic skin flick, softcore potboiler, and S&M psychodrama to be in a class of its own. … [read more]
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Sukiyaki Western Django

Directed by Takashi Miike, 2007
1024_sukiyaki.jpg

Sukiyaki Western Django, Japanese director Takashi Miike's take on the spaghetti western, owes an explicit debt to the Sergio Corbucci/Franco Nero film Django, which it references in both title and content, as well as to the history of genre crossings between Eastern and Western cinema -- the way Seven Samurai begat The Magnificent Seven, and especially the way Yojimbo begat A Fistful of Dollars and then a slew of good-natured imitations. You can trace the narrative of Sukiyaki Western Django in its basic form all the way back to Dashiell Hammet's novel Red Harvest, which is all about a Pinkerton dick from L.A. who starts investigating a murder in a small town where he ends up playing various factions against each other as a crafty third party. That story was the unofficial inspiration for Akira Kurosawa's wandering samurai film Yojimbo, as well as for Sergio Leone's unacknowledged remake, A Fistful of Dollars.
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Zombie Strippers!

Directed by Jay Lee, 2008
1024_zombie-strippers.jpgMy review of Zombie Strippers is online at FilmFreakCentral.net:

It's so dreadful, in fact, that I may be underrating it in at least one respect: Zombie Strippers! actually gives the early-1980s sci-fi porn flick Café Flesh a run for its money as the most joyless, nigh despairing movie about sexual arousal in film history.
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Can't Hardly Wait

Directed by Deborah Kaplan and Harry Elfont, 1998
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Starship Troopers 3: Marauder

Directed by Ed Neumeier, 2008
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Made of Honor

Directed by Paul Weiland, 2008
Made of Honor

First, the obvious. Made of Honor is what's generally known as a "chick flick." I'm not totally comfortable deploying that term, especially in its usual derogatory, casually-sexist usage--but in a purely descriptive and possibly cynical sense, that's what we have here. It's a love story, featuring a conventionally handsome leading man (Patrick Dempsey) playing opposite a conventionally pretty woman (Michelle Monaghan) whose character is engaged to marry the conventionally wrong guy (blond Scot Kevin McKidd). It's directed by a man (Paul Weiland), although to its credit there is a woman prominently involved (co-writer Deborah Kaplan), and it's designed from the bottom up to appeal to undemanding female filmgoers. … [read more]
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Counterfeiters, The

Directed by Stefan Ruzowitzky, 2007
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