Recently in Movie Stills Category

Bad romance.

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Barbara Steele (left) and Paul Muller
Still from Gli Amanti d'oltretomba (aka Nightmare Castle; Caiano, 1965)

Mr. Rabbit

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Abbott and Costello in <em>Lost in a Harem</em>

Publicity still
Lost in a Harem (Reisner, 1944)

Danny Glover and Charles Burnett on the set of <em>To Sleep with Anger</em>


Danny Glover and Charles Burnett on the set of To Sleep with Anger (Burnett, 1990).


The Museum of Modern Art's Charles Burnett retrospective opens April 6, with the director's shattering Killer of Sheep, which MoMA quite accurately describes as "a harsh Neorealist portrait of Los Angeles ghetto life." Burnett will introduce that film in person, along with April 7-9 screenings of My Brother's Wedding, To Sleep with Anger, The Glass Shield, Nambia: The Struggle for Liberation, and the little-seen The Annihilation of Fish. The retrospective continues through April 25. Complete details are at MoMA's website.


wjw1967

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Faye Wong in <i>2046</i>

Faye Wong in 2046 (Wong, 2004)
Photo by Wing Shya/courtesy Sony Pictures Classics

The final scene of <em>Time Bandits</em>

This is a still frame from the final scene of Time Bandits, an overhead shot that pulls back, farther and farther away from the risible suburban subdivision where young Kevin live(d) with his father and mother. You can see the top of Kevin's head -- he's standing on the lawn very near the center of the frame. Above him in the image, on the sidewalk, are two smoking piles of rubble. Those used to be Kevin's parents. Well, he warned them.

I was pretty young when I saw Time Bandits -- 12 years old, I think -- and this ending, Gilliam having Kevin's mum and dad exploded before his eyes by a pile of smoking rubble from Hell, had a profound effect on me. For one thing, it was an attack on parents who don't listen to their children. For another, it greatly expanded my idea of what was possible in a film narrative. A director, playing God as merry prankster, could detonate the very pillars of the 20th-century suburban household, throwing the future of a young boy into complete doubt just as he rolls the credits. Who does a thing like this?

It was a wicked thing, but it was a delightful thing as well. It prepared me, in some ways, to tackle Buñuel, Bergman, and the likes just a few years later. And in its rudeness it's stuck with me as surely as any scene from any movie I've seen over all these years.

Alley rats.

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Vincent Gallo and Christine Ricci in <i>Buffalo 66</i>

Vincent Gallo and Christina Ricci
Publicity still, Buffalo 66 (Gallo, 1998)
[deep-focus movie review]

Toni Basil v. Bruce Conner

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Toni Basil Dances in Bruce Conner's <i>Breakaway</i>

Toni Basil
Stills from "Breakaway" (Bruce Conner, 1966)

Cary and Kate

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Cary Grant and Katharine Hepburn

Cary Grant and Katharine Hepburn
Still from Bringing Up Baby (Hawks, 1938)
Scanned from old, lost hardcover movie book


Kirsten Dunst in Tokyo

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Kirsten Dunst in "Akihabara Majokko Princess" (McG, 2009)
Produced by Takashi Murakami

Woman in the Dunes

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Still from <em>Woman in the Dunes</em>

Still from <em>Woman in the Dunes</em>

Still from <em>Woman in the Dunes</em>

Stills from Woman in the Dunes (Teshigahara, 1964)

Visit the Mothership

This imageblog is an outgrowth of Deep Focus Movie Reviews.

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This page is an archive of recent entries in the Movie Stills category.

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